Advertisement
SNAPCLOUDBack up every photoUnlimited RAW storage, 30 days freeTry freeSample ad
Advertisement
Advertisement

Reminder: Sony announcement in a few hours at 15:00 London time.

In a few hours at exactly 15:00 London time (16:00 in Köln at the Photokina) Sony will introduce new lenses. As usual you can follow the event here on SAR where I will give you all links to reviews, news and preorders for the new products. By the way 15:00 London time is:
7am in San Francisco
10 am in NYC
23:00 in Tokyo.

What can we expect? The Zeiss 16-35mm f/4.0 for sure. And Sony will also likely show more new (pre)production A and E-mount lenses and an updated FE lens roadmap.

———
Message to sources: You can send me more info anonymously by using the contact form you see on the very right of your browser. You can also contact me directly at sonyalpharumors@gmail.com.
For readers: Subscribe the RSS feed (Click here) and Twitter (Click here) stream and the Facebook fan page (Click here) in order to not miss any news!
——–

Reminder (SR = Sonyrumor):
SR1=probably fake rumor
SR2=rumor from unknown sources
SR3=50% chance it is correct
SR4=rumor from known sources
SR5=almost certainly correct!

Share this story
Community

Join the discussion

0 Responses

  1. So in a few hours the less than exciting photokina announcements will be over and we will be able to talk about the really exciting stuff coming in January…or was that April?

    1. I think @Admin knows jack about Sony’s next A-Mount camera body, or lenses, but from what I gather there are three full frames coming.

      1. Three bodies doesn’t sound logical, maybe one or possibly two with multiple sensor configurations. Something like the A7X series.

  2. Sigma has introduced 2 new 150-600 lenses and 2 new teleconverters but there are still a lot of unansered questions about the C version and also when or if the other products will be made for Sony.
    Sony has left everyone guessing about A mount future and 3rd party manufacturers are justifiably unwilling to commit to Sony versions of thier products.

      1. If you have been following the anoncements so far…nither the new super teleconverters or the sport version of the 150-600 are currently going to be released in A mount.
        The contemporary version with smaller glass and fewer elements is the only one anounced in A mount.
        Although the Sigma website boasts about thier new manufacturing process that generates an MTF chart on every copy of every lens made, there is no MTF chart available for the contemporary version….which Sigma claims is as good as the sport version especially on the 600 end. Also no optical blueprint for this lens…..
        My biggest question is..does this lens actually exist yet or is it still just being developed?

        1. Sigma has a great design department but the manufacturing operations leaves something to be desired. Seems that lenses are always late, some have quality control issues or only available in certain mounts and multiple mounts can’t be manufactured concurrently etc. etc. Sigma should consider farming out some of its manufacturing or get its in-house production in order.

        2. Isn’t that how it usually goes? Sigma releases for Siggy cams, Canon and Nikon. Then maybe Sony, maybe Pentax. It is the way of the Sigma release cycle.

        3. I wonder what would become if Sigma released a camera of their own (their current half-hearted efforts notwithstanding).
          Imagine, a Full Frame DLSR, Sigma SA mount, with all contemporary features.
          The problem with new systems is usually lenses – but Sigma would have a whole array of lenses immediately.

  3. Reminder..in one hour an official reminder is coming about the reminder that will take place in 2 hours to remind us about the next reminder in 3 hours….

      1. I wanna know which camera is getting the 32mp, 36mp or the 46mp sensor. Cause Sony’s been working on all three according to this forum.

        1. No rumor of a 32, the 36 has been out for over a year. Likely a 45+ megapixel for a high end A-Mount and follow on E-Mount.

        2. One thing is for sure, it will be a lot better than anything Canon, Nikon or anyone else can design and build. But if they ask nicely, I’m sure Sony will sell them a copy.

      1. 15 or 16mm would be pretty neat. i have the voigtlander 21 1.8 im really happy with. even moreso after getting an adjustable close focus adapter. makes the lens far more versatile for messing around with. so i wouldn’t be too excited about a 21 or 25..an 85 would seem redundant with the alleged 85 on the roadmap..but, what am i saying..they also made another 35 and 55..so scratch that thought..and 135/2 would be neat, also.. 🙂

      1. I wasn’t considering macro to be part of the line.. I’d love a 150ish.. That would be a plesant surprise. The 50 2.8 z is my favorite lense on apsc right now.. Its even pretty great w ext tube on a7r uncropped.

  4. SONY TO ANNOUNCE 100MP QUAD-STACKED SENSOR + DUAL WIELDING LENS BODY* *REQUIRING YOU TO OWN DOUBLE COPIES OF EVERY LENS.

  5. RELEASE NOTES: Sony announces a7R Mark II. new, higher dynamic range, 48 megapixel full frame sensor, twice the battery capacity, new Silent Touch™ shutter. Whisper quiet. Available March 18th.

    1. Read about the upcoming NX1 a couple of days ago.
      And this thing will for sure put some headaches onto sony.

      Recording 4k internally and UHSII support.
      UHSII support means, they support current speed index 3 cards, which allows a minimum continuous write speed of 30MB/s supporting 200MBit/s prores!
      And for stills it allows to empty the buffer much quicker.

      Not only these specs – Samsung also has a proper assortment of native lenses including the always highly desired 85/1.4 focal length.

      I am no Samsung fan, but – kudos!

        1. 15fps means something around 600MB data. The current Sandisk UHSII cards claim to support 280MB/s (honestly I assume that as a maximum read speed, but let’s say it reaches 150MB/s write speed) that’s just 4s to move.

          Actually it’s H.265

  6. Hmm, “wide aperture prime”, possible futures…

    85/1.2 the crowd goes wild, sony fans dancing naked in the streets, fuji owners photograph them and pretend they’re not jealous

    85/1.4 the crowd is happy, got what they want and dared to hope for

    85/1.8 the crowd is disappointed, some complain, some try to put a brave face on it by reminding us that the A7 series are meant to be compact

    28/1.8 the end times are upon us

    1. F1.2 people will say it is too big & heavy.
      F1.4 people will say it is too expensive.
      F1.8 peolple will say the aperture is too small.
      If Sony release 3 at the same time, people will say it has too many choices. 😛

Leave a Reply

Your email address will not be published. Required fields are marked *

Search

Search
Advertisement
SNAPCLOUDBack up everyphotoTry freeSample ad

Subscribe to Our Newsletter

*Please also check your spam folder if you don't get the confirmation mail. And mark the mail as "non-spam" to see the future newsletter.

Advertisement
SNAPCLOUDBack up everyphotoTry freeSample ad
Advertisement
Advertisement