Advertisement
SNAPCLOUDBack up every photoUnlimited RAW storage, 30 days freeTry freeSample ad
Advertisement
Advertisement

(UPDATED) And here it is the NEX-FS100!!! The professional version of the VG-10.

What the hell! That’s a nice videocamera! Crews.tv just posted the first images and specs of the new NEX-FS100 camera. There is no official Sony press release yet but I am quite sure they got the right specs and images. This is the model we epxected to be placed above the [shoplink 3058]Sony NEX-VG10[/shoplink]. It will compete against the [shoplink 6087 ebay]Panasonic AG-AF100[/shoplink].

UPDATE: Now it’s official! You can read everything at pro.sony.com. The bad news is that Crews.tv apparently made an error and the price is much higher: $6,550.00!!!

Features:

  • Exmor™ Super 35mm CMOS image sensor
  • E lens mount (and most other popular mounts via adaptor)
  • Full HD 1920×1080 AVCHD HD recording / MPEG2-SD recording
  • Over- and under-speed recording
  • XLR audio inputs (XLR x2)
  • Detachable 3.5″ colour viewfinder
  • On-board Memory Stick, SD memory card and optional HXR-FMU128 flash memory media
  • Uncompressed HDMI output with time code for external 4:2:2 recorders
  • NEX-FS100K includes E18-200mm lens, LCD viewfinder, power adapter, lithium battery (NP-F770), microphone (ECM-XM1) and wireless remote

More pictures at Crews.tv

[poll id=”41″]

 

Check out the NEX-VG10 price and specs at [shopcountry 3058].

Check out the Panasonic AG-AF100 price and specs at [shopcountry 6087].

Share this story
Community

Join the discussion

45 Responses

  1. nice, 4500 is a bit steep, but looks good. I want one for the alpha mount with phase detect AF though. Looks like a winner.

    1. Super 35mm referrs to the film sensor size not to the photographic 35mm size. Super 35mm is very close to the APS-C sensor size.

    1. Sony’s APS-C is 15.6mm x 23.4mm (3:2 form factor).

      The 3-perf Super 35 motion picture format is 14mm x 24.89mm (16:9 form factor).

      The Sony Exmor™ Super 35mm sensor is actually a bit smaller than that: 13.3mm x 23.6mm. So its diagonal (and image circle) is a bit smaller than APS-C: 27.09mm instead of 28.12mm.

      There is therefore no problem with mounting a DT lens in front of an Exmor™ Super 35mm sensor.

  2. Would love to see how is the Moire performance again AF100, Probably in lowlight will be a winner but knowing Sony marketing devils everything else will be a step down from F3

  3. that’s the news!
    let’s hope moirè is vanished or sony won’t win against panasonic.

    and let’s hope improvements will make it (in some part) in future NEX cameras!

    waiting impatiently for some more video deomnstrations..

      1. It’s not only about sensor, it’s also about processor and how it interpolates pixels.

        even NEX-5 could have no moirè with its current sensor if the processor would do some pixel interpolation from the 14 megapixel source instead of its current primitive line skipping..

    1. For RAW, a part a 20k video camera you also need a 7000$ computer to manage the files in real time.

      On different note, the EOS fanboys hoping for RAW in the 5D mark III, will dream for long time. the hardware to mage raw will not fit on a DSLR body, under current technology.

  4. I think this might just like the VG-10, sound nice, looks nice but totally not in a good value at all = =

  5. Sounds like the E-mount is the future. Sony kills two birds with one stone (Photo + video). I’d be OK with that.

  6. I dont know much about cine cameras–how does this compare to the competition (canon mainly)?

    It’s very RED like….but perhaps in appearance only?

    1. it is better than the Canon in any single aspect but price. though for the price you get much more.
      The base iso of this sensor is 800iso, like the ARRI Alexa which is 50 grands. (of course image quality from Alexa is better but…).
      RED will be better than the FS-100 as well, but with the right post prod and good lighting, some footage may be difficult to discern.

  7. I don’t know from where Nigel Cooper gets his informations, but in the review for this camera he writes:
    “Current Sony E-Mount lenses include: 16mm F2.8, 18-55 F3.5-5.6 and an 18-200 F3.5-6.3. Not exactly fast by any means, but you can use other lenses from other manufacturers with an adaptor. Sony are brining out some more lenses for this camera during the course of 2011, these will include a Zeiss 24mm F2, 30mm F3.5 Macro, 40mm F2 and a 55-210.”
    I think it’s interesting, but I don’t know how accurate this is.

    1. Part of it is inaccurate and part is rumoured.

      Official news from Sony (Photokina then CP+) are:

      – four new lenses in 2011: CZ 24mm, 30mm macro, 50mm portrait lens (not 40mm) and 55-200mm (not 55-210mm);

      – three additional ones in 2012: wide angle zoom, high performance standard zoom G and mid-telephoto lens.

      Rumoured max apertures are CZ 24mm f/1.7 – 30mm f/3.5 Macro – 50mm f/1.8 and 55-200 f/4-5.6.

Leave a Reply

Your email address will not be published. Required fields are marked *

Search

Search
Advertisement
SNAPCLOUDBack up everyphotoTry freeSample ad

Subscribe to Our Newsletter

*Please also check your spam folder if you don't get the confirmation mail. And mark the mail as "non-spam" to see the future newsletter.

Advertisement
SNAPCLOUDBack up everyphotoTry freeSample ad
Advertisement
Advertisement