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Sony Tidbits…(Big Sony deals in Australia)


A Wedding Cinematographer’s Review of the Sony A7S II
from Matt @ WhoIsMatt.com on Vimeo.

Remote app “PlayMemories Mobile” got updated at Google Play.
First Look: Sony a68 Enthusiast ILC With Advanced AF (Adorama Blog).
Have A7R2 – want a reserve camera, which should I pick? (SonyAlphaForum).
SPeedmaster 50mm lens gets a new hood (DC.watch).

Big Australia deals:
Sony cameras and lenses are 10% off till midnight 30/12/2015 AEST at CameraPro (Click here).
It’s the last chance to have dual offer.
Because customer who participate this promotion is also eligible for “Summer of Sony” promotion which is going to end on 3/1/2016
that can have bonus up to $600 Visa gift card when customer purchase eligible cameras and lenses
Please see below link as well.
http://www.camerapro.com.au/summer-with-sony.html
In addition, there are also 15% on 6 selected accessories  brands
Including Sandisk memory card, Hoya  Filter, Lee Filter, B+W Filter, F-stop bag and ONA bag
Please see below link
http://www.camerapro.com.au/accessories-sale.html

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18 Responses

    1. One would hope a body cap is thinner than that…even thinner than the adaptor. And indeed that’s an insane price to charge. It may be worth half, and that’s still a stretch.

  1. great video.. when using slog 3.. what programs are good for editing video… i have the sony a7rii and a7ii was thinking of gettinng the sony a7sii .. i have all sony lenses..

  2. Going 120fps will probably push up the shutter speed and add some noise, and it’s even noticeable in this low res video(I’m watching it in low res)…so what’s wrong with Twixtor? It’s not as if people in these scenes are moving too fast for interpolation.

      1. Strange, as one would think that without any captions the video directly played after the mention of 120fps would be 120fps. And there’s more noise then I would have expected from a7SII.

    1. How long does it take to render for Twixtor? Even if people are moving slow, what if there’s hair or other obstacles? You’ll get weird artifacts instantly. As opposed to being able to shoot 60 (or 120) out of the cam and just interpret it.

      Also the great thing about this cam is both 60 and 120fps records sound so you have option to slow it down or simply use the footage in real time.

      1. Twixtor isn’t slow, since you shouldn’t be using more than a few seconds of it every time. I tried 50% and it wasn’t so easy to get artifacts, hmmm.
        As for sound, I think Audition could solve it, though I never tried before.

  3. Great review Matt! I work with a crew who all use 5D3s and at least some of us are making the move to the a7Sii. We haven’t tried using SLOG yet as our existing workflow doesn’t include color correcting so we’ve always had to try to get the best results out of camera as much as possible. As everyone has said Canon definitely does pleasing colors right out of the cam, but it seems more difficult to achieve on Sony. The colors just doesn’t seem as nice, especially for skin tones. Do you have any advice there or is the best practice with Sony cams is that we must shoot in SLOG and color correct?

    1. Hey Kenneth! You have a couple options when shooting with the A7sii if you don’t want to color grade. Your first option would be to shoot in SLOG 2 or 3 and apply a LUT. This is incredibly simple because you won’t be needing to color grade, just dropping a preset onto the footage to color it. There are a ton of options, one of the more popular are the Impulz LUTs: http://www.vision-color.com/impulz/

      If you don’t want to work with LUTS, the A7Sii has a lot of non-SLOG picture profiles included. The Cine 1,2,3, and 4 picture profiles allow for similar (but not quite as much) dynamic range to that of SLOG, but without the need for heavy grading. Watch this video and check out the PP3 settings in the description. The colors look pretty good without grading: https://www.youtube.com/watch?v=ZJdnqdEu790&feature=youtu.be

      Hope that helps!

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