4K Food Timelapse video (Sony A7R + FE 90 mm F2.8 Macro G OSS)
Now even Sony A7 users can get Fuji’s amazing Film Simulations (Fuji X Forum).
Brian Smith – Why E-mount Mirrorless is the Universal Mount – SonyAlphaCameras.
First Sony FS5 Hands-On Impressions of an FS7 Owner (Cinema5D).
Portable Solar USB Charger for your Sony camera (SonyAlphaCameras).
A7rII review at Japanese Nikkei.
Voigtlaender VM 75mm f/1.8 Heliar Classic (SonyAlphaForum).
Ted: “I wanted to also send you my review of the a7rii (including 4K footage) and ask if you might consider posting it as well. Here’s the review: https://www.youtube.com/watch?v=sX_rM3w8rTw“
Matt: “a7s + FE 16-35 + Ronin-M + Deluts by James Miller. I used a custom Picture Profile rather than S-log2 so I can have an easier time focusing. https://vimeo.com/136473156“
Emin: “Today I shoot video on Sony A7RII & 35mm Sony f1.4 & Sony 28mm f2) and then take a screen shoot from it https://www.facebook.com/emin.kuliyev.54/posts/10208236724700889?pnref=story”
Firoz Ahmad: “Gulabi | The Color Pink clips shot completely handheld in Slog2 picture profile with Sony a7s and a Zeiss prime lens 55mm at Siddhartha Nagar and Varanasi in India. https://vimeo.com/138172655“
19 Responses
>Brian Smith – Why E-mount Mirrorless is the Universal Mount
No it’s not. It’s videos like that that help Sony present A-Mount lenses as “alpha mount”.
There’re 11 FE lenses and that’s it. No others have 100% AF compatibility with A7x bodies.
AF is for amateurs.
I shot my last wedding with 90 percent manual focus.
“It’s videos like that that help Sony present A-Mount lenses as “alpha mount”. ”
If I was Sony, I wouldn’t mind that.
I like what I’m getting with VSCO packs in Lr, though one thing I’d like improved upon is the grain. There’s no control over how much grain to add in highlight or shadow, and the grain is all luminence based with no variation in color.
You can try to export a “grainless” version to Ps and add grain/noise in shadows/highlights to taste. Save back into Lr.
SO how do you get the fuji Film Simulations from here? they are only for the X-T1
Remove FUjiXT1- from file names and put them to /Library/ColorSync/Profiles
They should appear in C1 under “Other” in ICC profiles for ANY camera.
Thanks, got it. Now how do I use them in Lightroom (if possible)
You can’t. Lr and C1 do not have any interchangeability whatsoever.
Instagram filters all the way.
I hope it’s ok when I post this here:
If you like film emulations, I have created a free web based tool with over 100 options for film emulation: http://29a.ch/film-emulator/
The limitation is that it only works with 8 bit images at the moment.
2 weeks ago I first predicted
Canon/FOVEON sensor
And proprietary Canon tech for Sigma lenses.
Today CW4 rumor
Canon/Foveon tech for new 120mp sensor
….as I predicted
Next prediction
Mirrorless ff Canon camera
126 mp Canon/Foveon sensor….note I am predicting 126mp, not the 120mp that everyone else is predicting.
And when will we see this beast?
Only a guess, not a prediction
2016, Q4
You, Barry, have predicted foveon type and also high-res sensors form Canon, Samsung, Sigma and other manufacturers. So which ever company (apart from Nikon) come out with a high-res or foveon type sensor you will claim that you predicted it.
Read my comments on cw after Sigma turned down 10 Canon offer and sighned tech share agreement.
All of the other companies I mention have been doing 3 layer organic…2 layer in Samsung case.. development, but for now new bayer tech has leapfrogged that technology, and for now Samsung is out of the camera business
It may be revisited as a result of Canons current actions though.
I did not predict high res sigma or samsung bayer sensors.
This sensor will be SignaFoveon and Canon tech combined.
In any event I am not here reviewing each of these older comments but talking on the topic of about current events going on at Canon, that we will be hearing much more about in the reletively near future.
If you want to sidetrack and distract my current comment you will do so without my participation.
The one thing I miss the most from Lr/ACR, now that I use Capture One, is the availability of film emulations.
VSCO was good, but it was too hipster taste in its focus.
Capture One Styles (the only large film emulation styles available for C1) seems to lack focus on what films they choose to do or not. Some are a bit too exagerated, even if they aren’t the pushed/pull versions.
By far, the one and only preset set that I used the most was Replichrome. Those guys were more focused on a balanced look, akin to a flat scan from a Frontier or Noritsu, which allows you to work on your images forwards instead of toning down the other preset sets I mentioned.
I wish Replichrome would do a C1 set.