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a little bit of everything…

Paris has opened its annual urban beach along the Seine river. Filmed at 48 % and 200 % with the DMC-GH4
from Pier-Yves Menkhoff Films on Vimeo.

Olympus Stylus 1 Review at NeoCamera.
Tamron 14-150mm MFT lens image samples at DSLRmagazine.
Polish Panasonic 15mm 1.7 lens test at Optyczne.
FZ1000 slomo tests (Outbackphoto).
4K Stills from FZ1000 (Outbackphoto).

Leopold: “Here is an acoustic music video i shot on the GH3 with the SLRMagic 35/1.4 and the anamorphot. It was some kind of a test shooting for upcoming projects i´d like to shoot with my new gh4 which i´ll get soon. I really like the anamorphot, although it´s not easy to handle when shooting in near distances with the diopters. You have to be very careful to stay in focus especially when shooting wide open. But it´s fun and the look is unique! https://vimeo.com/100743835”

Graham: “Going through recent photojournalism on the web, I noticed that Jerome Sessini’s beautiful and horrifying photos of the MH17 crash site in Eastern Ukraine were all taken with an EM-1. Warning, graphic content:
http://lightbox.time.com/2014/07/18/malaysia-airline-ukraine-crash-jerome-sessini/#1”

 

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5 Responses

  1. For me Its hard to interpret the MH17 photos as beautiful, but that 1st one… has a creepy mix of the horror and the right light conditions……gruesome…

  2. Two comments,

    1, MH17, what I found most worrying was the apparent way someone was able to wander about the site taking photographs for public consumption.

    2, The video by Pier-Yves Menkhoff, was little more than a moving set of mediocre stills which might have been far better if shot as a series of stills, with a little more consideration to composition.

  3. I saw the crash pictures a while ago.

    (I won’t debate wether it was right or not to take pictures, personally I think it’s a thing to do, given how some informations and news can easily be manipulated by governments)

    As everyone will notice, the story and feelings are what strike the observer.
    I wonder how many people asked themselves what kind of camera or lenses were used by journalists: personally I find disturbing that we have to focus on gear when looking at such a tragedy, and while I love m43 system, I admit that I really don’t care a f@ck1ng $hi7 about EXIF data. Your photo is more important than your gear.

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